Monday, February 08, 2010

It Was A Super Sunday At The Film Fest


The first Sunday of the Film Festival was an extraordinary day, after all the New Orleans Saints won the Super Bowl in their first ever appearance there.

While New Orleans was celebrating its victory (and suddenly it seemed like it was hard to meet anyone who wasn't from New Orleans) Emily Blunt (The Young Victoria), Carey Mulligan (An Education), Saiorse Ronan (The Lovely Bones) and Michael Stuhlbarg, (A Serious Man), were on the red carpet and then on the stage at the Lobero for the Film Fest's Virtuoso Awards.


Saiorse Ronan, star of The Lovely Bones, as she appeared on the red carpet at the Virtuoso Awards.

Photo by CHUCK CAGARA / www.MagicalLightPhotography.com


Earlier in the day at the Lobero, Quentin Tarantino's conversation with Kirk Douglas following a special showing of Posse, was, according to Roger Durling one of the all-time highlights of his seven years as executive director of the Film Festival.

More coverage of the Film Festival at City 2.0.

My own Film Fest photo gallery, featuring the fine work of local photog Chuck Cagara of www.MagicalLightPhotography.com, is updated throughout the day.

* * *

In other news, Frank Magid, the TV news "consultant" and Santa Barbara resident, who is credited with having created the "happy-talk" format for local news, died Friday at Cottage Hospital.

If you haven't already seen it, I have the full story on Jerry Roberts victory over Wendy McCaw.

Among the many outlets reporting on Jerry's victory is the entertainment news website, The Wrap.

* * *

If you're playing hooky from work, here are some movies you might want to catch today.

Near Dark, this 1987 movie is part of the Kathryn Bigelow retrospective, (she's being honored at 8 pm at the Lobero tonight.) Roger Durling says "Near Dark," "makes Twilight look like Sesame Street." Shows at 11:00 am at the Lobero.

There is probably no reason to see Breaking News other than the fact that it has a number of well-known personalities from KEYT in it, although I am told by one person who has seen the film, that Gerry Fall, the former KEYT sportscaster, turns in a credible performance as "Jerry Blackwell," the TV news reporter who's life is falling apart. Screens at 12:30 pm at Victoria Hall.

Two Spirits. I had the pleasure of talking to Lydia Nibley, the director of this documentary, which was five years in the making, about a Navajo boy who was the victim of a hate crime. The film uses the story and aftermath of the boy's murder to examine native American beliefs about masculinity, femininity and sexuality. Patty Smith did the music for this film. It premiered in November at the Denver Film Festival. Screens at 3:30 pm at Victoria Hall.

God Went Surfing With the Devil, is a look at Israeli/Palestinian relations through the eyes of surfers. It is being shown at 4pm at the Museum of Art.

Behind the Lines, which screens at 9:30 pm at Victoria Hall is a locally produced documentary which offers a behind the scenes look at fighting a major wildfire.

Point Break, another film by Bigelow about bank robbers who are also surfers. "If you haven't seen it, it's a classic," according to Durling. Screens at 10 pm at the Lobero following the tribute to Bigelow as "Outstanding Director of the Year."

I love the smell of popcorn in the morning.
© 2010 by Craig Smith and www.craigsmithsblog.com

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Sunday, February 07, 2010

The Full Story on Jerry Roberts Victory Over Wendy McCaw


So how was it that former Santa Barbara News-Press editor Jerry Roberts was able to get an arbitrator to award him over $900,000 in attorney fees and costs from Wendy McCaw's Ampersand Publications?

The foundation for the award was laid back in December of 2008 when it was revealed that the arbitrator found that Ampersand and McCaw failed to establish any of their breach of contract or other claims against Roberts and that McCaw and Ampersand were entitled to none of the $25 million in damages that they had sued him for. Therefore, Roberts was determined to be the "prevailing party" in the arbitration. The arbitrator ruled that Ampersand would have to pay Robert's attorney's fees in an amount to be determined. That was over a year ago. Arbitrator Deborah Rothman finally ruled on the attorneys fee and costs issue on October 27, 2009, but the nature of arbitration, which is what the parties agreed to in order to resolve their dispute, is that the findings and rulings of the arbitrator remain confidential until someone goes to court to either confirm or vacate the arbitrator's award. That happened last Friday, when Ampersand filed it's paperwork in Superior Court to have the arbitrator's award set aside.

The arbitration process in the matter of Ampersand vs. Roberts has been a long waiting game. And if your recollection of the tortious history of this dispute needs refreshing, I refer you to my previous account of it.

In the meantime, here's the short version: Shortly after Roberts resigned his position with the paper in July of 2006 in a dispute over journalistic ethics, Ampersand sued him. According to the arbitrator's capsulation of the allegations:
If compelled to determine who launched the first missile that signaled the start of the News-Press/McCaw/Roberts war, I would have to conclude that it was Ampersand, which thereafter published an article charging Roberts with orchestrating media coverage favorable to his 'position.' . . . Mrs. McCaw believed Roberts had been the source of the detailed information concerning the inner workings of the paper, including the editor's complaints that culminated in their resignations. Mrs. McCaw felt strongly that information of this nature should not be aired, and that by airing it, Roberts had breached his contractual confidentiality obligations as well as his duty of loyalty.

There were other allegations as well, but the issues of breach of confidentiality and the alleged abrogation of Robert's duty of loyalty to his employer formed the crux of the suit.

Roberts answered the complaint and denied the allegations. He also counter-sued Ampersand with a few claims of his own, most notably that he had been defamed by a blog post that appeared on the "Nippers" website site run by McCaw's boyfriend and News-Press co-publisher, Arthur von Wiesenberger.

Arbitrator Deborah Rothman, who heard the case, ultimately ruled that Ampersand failed to establish any of the 15 allegations that it had made against Roberts and that Ampersand would take nothing on its claim of $25 million in damages. More particularly the arbitrator found that Roberts did not breach his obligations under the confidentiality provisions of the employment agreement, did not defame Ampersand and did not breach his fiduciary duty of loyalty to Ampersand.

Rothman in her written 67 page ruling concluded that Ampersand "fought each and every issue with equal ferocity, frequently proceeding in a scorched-earth, take-no-prisoners, go-for-broke, leave-no-stone unturned campaign to punish Roberts."
I infer from the evidence before me that Mrs. McCaw is capable of great vindictiveness and appears to relish the opportunity to wield her considerable wealth and power in furtherance of what she believes to be righteous causes.

The observation that McCaw, "wasn't shy about wielding her considerable wealth" was bolstered by the fact that McCaw expended approximately $2.4 million in attorney's fees in her suit against Roberts. Her side had as many as eight individual lawyers on its team, which was led by Barry Cappello, while Roberts never had more than three on his legal team which was headed by Andrine Smith of San Francisco. Of course with Ampersand suing Roberts for $25 million he was forced to expend over $629,000 in attorney's fees to defend himself and to assert several counterclaims against Ampersand. When you combine that $2.4 million with the nearly million in attorney's fees and costs that Roberts incurred you can say that the case of Ampersand vs. Roberts is a $3.5 million industry, for the attorneys that is.

One of the reasons that Ampersand was not able to succeed in making a case against Roberts for defamation was the fact that his comments about the circumstances surrounding his departure had become a matter of "public interest." The arbitrator noted that Ampersand had made the direction of the paper a matter of public interest when Mrs. McCaw published an open letter in the News-Press in 2000, shortly after purchasing the paper, in which she stated her intention to leave news functions "to the professionals." The arbitrator would write, "Having thrown down the gauntlet, i.e., voluntarily used the offices of the News-Press to commit to letting professional journalists manage and direct the paper in an independent matter consistent with journalistic integrity, Ampersand opened the door for Roberts to comment on her fulfillment of that public commitment."

As for the substance of what Roberts had said to the media about McCaw, the arbitrator found each and every one of the statements that were alleged to be defamatory to either be true, which is an absolute defense to a charge of libel, or that they were purely statements of opinion, and therefore not libelous.

Both McCaw and Roberts testified at the arbitration hearing. Evidently, McCaw failed to make a good impression with the arbitrator. "Mrs. McCaw," she wrote, "was a flawed witness."
Although she is a complex woman, which makes her credibility determinations more difficult, certain of her statements clearly defy credulity. Notwithstanding the publication in the News-Press of an article about the pornographic images of children purportedly found on the Ampersand laptop Roberts had used, Mrs. McCaw subsequently answered "Never" to her attorney's question, "Have you ever used your paper to punish your personal or political enemies?

The arbitrator went on to observe that, "She adamantly refused to draw conclusions too obvious to deny." The arbitrator went on to say that, "Her responses could be evidence of a profound lack of self-awareness, or a propensity to shade the truth for the purpose of garnering a large arbitration award. Either way, they do not make Mrs. McCaw a first-rate witness."

Most telling is this observation by the arbitrator.
(McCaw) testified about the difficulty she has had in hiring a new publisher for the paper: "My personal opinion is that they look at me as the problem," negating with her tone of voice the real possibility that such a perception could be true.

While McCaw did not fare well in the credibility department with the arbitrator, Roberts did. She wrote, "A conscientious and honorable journalist, Roberts had the support and admiration of both his newsroom and the Santa Barbara community."

As for Ampersand's allegations of disloyalty on the part of Roberts, the arbitrator concluded,
Roberts did not act out of venality - he had nothing to gain financially by speaking out against Ampersand - but out of deeply-held principles, beliefs and values on the respective roles of editors, publishers, advertisers and celebrities in journalistic excellence.

The arbitrator's written decision provides insight into what were and are the real priorities of the News-Press under McCaw's ownership. For example, in a May, 2006 e-mail, von Wiesenberger criticized Roberts for a News-Press article about the bad housing market that
. . . still has realtors from Carpinteria to the Santa Ynez Valley angry at the News-Press and already taking action by staging an advertising brown-out. I spoke with a Sotheby's agent two days ago and she informed me that they are still extremely unhappy and are planning yet another brown out. . . While I expect you will characterize this criticism as us cowering to commercial interests and bring out your book of Journalistic ethics, it has nothing to do with ethics.

Although Roberts clearly had the better part of the ethics argument, it ultimately was of no help to him in pressing his counter claims against Ampersand. The arbitrator concluded that notwithstanding ethics, the publisher of a relatively small-town newspaper, like the News-Press, "has the right to control the look, feel and yes, slant of the paper." That meant that, "Roberts refusal to give his unqualified support to Mrs. McCaw's management decisions could legitimately have led to his termination for cause, and thus without severance pay. Because Roberts was constructively discharged under circumstances in which Ampersand could have terminated his employment for cause, he is not entitled to recover severance benefits under the terms of the parties' agreement."

As for the infamous "hamburger stand" allegory, that appeared on von Wiesenberger's blog, which Roberts claimed was defamatory, the arbitrator determined that Roberts failed to prove that the post was authorized or ratified by Ampersand, after all, it was "Nipper's" blog, not one run by the News-Press.

So although Ampersand failed win on any of the claims it brought against Roberts, Roberts failed to succeed on any of the claims he in turn had brought against Ampersand. Nevertheless, the arbitrator determined that as between Roberts and Ampersand, Roberts was the party who had achieved his basic litigation goal, which was to successfully defend himself against Ampersand's claims, while Ampersand had failed to achieve its goal, which was to pin the blame on Robert's statements to the media for its lost prestige and credibility in the Santa Barbara community.

Since Roberts was the party who "prevailed," he was entitled to recover, pursuant to his contract of employment with Ampersand, his attorney's fees and costs. In particular, $748,022 in attorney's fees and $167,516 in costs.

So while Roberts has won a significant victory against McCaw's Ampersand, it still figures to be awhile before he sees any money as a result of the ruling. Both sides go to court at the end of this month. Ampersand will seek to vacate the arbitrator's award while Roberts will seek to confirm it.

Assuming Ampersand loses its motion to set the award aside, they will undoubtedly appeal. Given that arbitrator's awards cannot be set aside for mere mistakes in applying the facts to the law, but rather can only be set aside if an arbitrator has committed gross misconduct or has acted in excess of their authority, reversing the award is a low percentage proposition.

But McCaw has been down this road before when she was able to set aside an arbitration award that had gone in favor of her former lover and legal counsel, Greg Parker. So having hit the jackpot once, there's no reason to think that she won't buy another lottery ticket and take her case to the California Court of Appeal.

One avenue that wont' be open to McCaw is to take this case to the Federal Courts that have proved to be hospitable to her. In spite of the fact that $3.5 million have been expended in attorney's fees, it's simply not a federal case.
© 2010 by Craig Smith and www.craigsmithsblog.com

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Only One of These Guys is a "Master"


Sometimes you just have to let the pictures do the talking. Like when you have the director of the world's number one film and the Governor of California together on the same stage, which was what happened on Saturday night at the Arlington Theater.



James Cameron receiving the Lucky Brand Modern Master Award from "The Governator."

PHOTO CREDIT: CHUCK CAGARA / www.MagicalLightPhotography.com


Count me among those who will be happy when Schwarzennegger leaves office and goes back to making movies.


James Cameron being interviewed by film critic Leonard Maltin

PHOTO CREDIT: CHUCK CAGARA / www.MagicalLightPhotography.com


More photos from last night at Edhat and at my own Film Fest Photo Gallery. And Noozhawk, now has a Film Fest Photo gallery!

And Cameron wasn't the only person with his name in lights on a State Street marquee on Saturday night.



While Cameron was being honored at the Arlington, just a block down the street at the Granada Theater a large number of people, myself included, gathered to honor one of my oldest and best friends, former Assistant District Attorney Eric Hanson, who last month retired after 33 years in the Santa Barbara DA's office.

* * *

If you're heading out to see some movies at the Film Fest, here are some suggestions as to what to see.

Ten Stories Tall, is an ensemble drama about the loss of a family matriarch who was involved in a lesbian relationship. I had a chance to meet David Garrett, the writer and director of this film, at the Filmmaker's Breakfast Saturday morning. He told me that during a two-year period he lost a significant number of friends and family and the observation of other people dealing with grief and loss inspired him to do the story. The cast includes some well-known actors, Tovah Feldshuh and Ally Sheedy. The movie screens at 10:30 Sunday morning at the Metro 4 and again Monday at 2 pm at the Lobero. Feldshuh will be here for the Q&A's which follow the screenings.

There's an especially strong Director's Panel at 11 am at the Lobero. Scheduled to be here are Oscar nominees Katherine Bigelow and James Cameron who will be joined by Jason Reitman, Peter Doctor and Quentin Tarantino.

How To Live Forever, a documentary about how to live longer that Roger Durling calls, "quite delightful." It screens at 4:30 pm at the Metro 4.

The Legend of Stewart Mossman, which screens at 4:45 at the Metro 4, is about the famed guitar maker.

Actors Emily Blumt, Carey Mulligan, Saoirse Ronan, Gabourey Sidibe and Michael Stuhlbarg are appearing at the Lobero at 8 pm where they are being honored with The Chopin Virtuosos Award.

There you have it.

By the way, is there a football game on today?
© 2010 by Craig Smith and www.craigsmithsblog.com

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Saturday, February 06, 2010

One Bullock I'm Glad They Didn't Keep Out of Santa Barbara


This is my fourth year of covering the red carpet arrivals at the Santa Barbara Film Fest. As I was getting ready for Saturday evening's tribute to Sandra Bullock at the Arlington Theater, my daughter, who is assisting me in covering this year's festival, asked if I was going to wear my bow tie. "No, the tie is getting retired," I told her.

"Are you going to wear that beret on your head?," she asked. (The look on her face told me that she didn't want me to wear it.) "The beret stays," I replied.


Sandra Bullock on the red carpet last night

CHUCK CAGARA / www.MagicalLightPhotography.com


I got some good mileage out of the bow tie trick at past Film Fests, most notably getting Jennifer Hudson and Olivia Wilde to straighten it for me. And that was before Wilde hit it big on House. But the tie has done its time. And besides, it was always a big hassle to tie it. So this year, I lined up on the red carpet, sans tie.

The lack of a tie didn't spoil my luck in getting to ask a question of Bullock as she made her way down the red carpet. I was curious to know if there was a particular moment when she knew when her role in the Blindside was an Oscar worthy role? "Never, never had that. Have you seen my projects?" She went on to say that no one wanted to make The Blindside and she turned it down for over half a year. I also asked her if there was any news about her missing dog. Sadly, the dog is still missing. You can view her full answer in the YouTube video below. (Thanks to my daughter Taryn for shooting the video.)



Standing on the carpet wearing a body hugging black dress, Bullock had a very Jessica Rabbit like quality to her. She was the perfect red carpet honoree. She arrived early, stayed late, signed lots of autographs and gave many interviews in between.

Photos of Friday night's red carpet arrivals, taken by Dan Seibert, are posted at Edhat.

* * *

It's another full day at the Film Fest on Saturday, culminating with Avatar director James Cameron receiving the Lucky Modern Master Award at 8 pm at the Arlington. Presenting the award to Cameron will be none other than the Governator himself, Arnold Schwarznegger.

As for films tomorrow, here's what I recommend.

Ashkan, The Charmed Ring and Other Stories, this film is from Iran and is in black and white. According to Film Fest Director Roger Durling, it's a film that you have to stick with. You may be baffled at the beginning, however, the storytelling will prove to be wonderful. Screens at 8:15 am at the Metro 4.

Father and Guns, billed as a "classic comedy cop thriller, was recommended to me by Alex Hentloff, who writes for CASA magazine. (BTW, CASA has very good coverage of the Film Fest so be sure to pick one up. They're free and come in handy for attendees of the Fest.)

The Secret Of Kells. This animated film from Ireland is reputed to be stunning. Screens at 10:15 am at the Metro 4.

The Lovely Bones. This is a feature you will easily be able to catch once the Film Fest is over, but it does play today at 1:30 pm at the Metro 4. One of the stars is Stanley Tucci who, if I remember correctly, is scheduled to appear following the screening of the film.

University of Nuclear Bombs is a documentary by local filmmaker Joshua King. It explores the connection of the University of California to the development of the weapons of mass destruction. Screens at 4:45 pm at the Metro 4.

In addition to films, the always popular screenwriters panel will take place at 11 am at the Lobero. This year's panel includes, Mark Wahl (Hurtlocker) Nancy Meyers, (It's Complicated) Jason Reitman, (Up In The Air), Geoffrey Fletcher, (Precious) and Peter Doctor (Up).

The full Film Festival schedule is posted at Edhat.

Remember, if you want to stay dry, stay inside the theaters.
© 2010 by Craig Smith and www.craigsmithsblog.com

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Friday, February 05, 2010

News-Press Owner Ordered to Pay $900,000 to Jerry Roberts


Attorneys for Ampersand Publishing, the company wholly owned by Wendy McCaw which, in turn, owns the Santa Barbara News-Press, filed papers in Santa Barbara Superior Court today in which it was revealed that an arbitrator has ordered Ampersand to pay $900,000 in legal fees and other costs to former News-Press editor Jerry Roberts.

Ampersand is trying to get the arbitrator's award set aside. Roberts had successfully defended Ampersand's claims against him for defamation and breach of fiduciary duty.

Roberts has called the award, "A decisive victory for ethical journalism."

In the award, arbitrator Deborah Rothman rejected all of Ampersand’s claims against Roberts, finding that Ampersand’s true objective in the arbitration was to punish Roberts in "retaliation for speaking out about ethics at the paper." The Arbitrator thus determined that "Roberts is the prevailing party" in the dispute. She ordered Ampersand to pay Roberts for attorney’s fees and related costs totaling $748,022, though she dismissed his counter-claims. She also ruled that "the fees and expenses of the arbitrator, totaling $167,516, shall be borne entirely by Ampersand."

Although that is a huge sum of money, Roberts has said that it's, "Ethics, not money, (that) was always the issue for me."

While Ampersand will be seeking to get the award overturned, Robert's attorney Andrine Smith will seek to have the award confirmed, finalized and put into the form of an enforceable judgment.

I'll have more details in the days to come.
© 2010 by Craig Smith and www.craigsmithsblog.com

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On A Rainy Day, Some People Are All Wet


Waking up to the sound of rain and thinking, damn those Film Fest organizers sure are lucky!

The opening party of the Santa Barbara Film Fest which was held outdoors at Paseo Nuevo last night was a big hit. The opening night film, mmmm, maybe not so good. Folks I talked to at the party gave it mixed reviews. Coverage of the Film Fest opening from The Daily Sound. Red carpet photos from Edhat. And as for what's ahead today at the Fest, including which movies to catch, I've got the scoop on that.

And if you're looking to avoid coverage of and news about the Film Fest, go to Noozhawk.

* * *

So much for keeping ourselves a secret. There's a big travel article on Santa Barbara in today's edition of USA Today.

LA Times columnist James Rainey, who was here last summer for the Future of Journalism panel that I moderated, has a piece in today's paper about the disappearing barrier that divides advertising and news.

* * *

Finally, this comment was left on Edhat in response to one of my posts about the Film Fest. "How does Craig Smith rate a press pass? He doesn't write for any press anymore. Maybe if they handed out fewer press passes they could lower the ridiculously high price of tickets."

All I can say is, the fact that you're reading a site like Edhat should tell you all you need to know about why I got a press pass. As for ticket prices, they may be high, but at least they keep the soreheads like yourself at home.

Go Saints!

© 2010 by Craig Smith and www.craigsmithsblog.com

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The Film Fest Fanatic


Before the morning coffee and after the first Film Fest hangover.

The 25th edition of the Santa Barbara International Film Fest kicked off last night. I didn't make it to the opening film,.Flying Lessons, (you can view red carpet photos from Edhat) but I can say that was one hell of a party over at Paseo Nuevo afterwards.

I know that there are some people out there who, as Yogi Berra put it, "stay away in droves" both from the Film Festival and my coverage of it. For those of you who find yourselves in that category, I beg you to get some therapy. The Film Fest is the most fun you can have during the winter in Santa Barbara.

So for the next 10 days I'll be sitting in the audience every day and trying to sneak behind the scenes whenever I can.

Armed with my netbook computer and my iPhone, I plan to update my blog throughout the day. I'll even be blogging live from the red carpet. Because there are so many movies and so little time, I've recruited my daughter, a big fan of the Film Fest herself, to help me cover it all. We'll be shooting and posting video from the red carpet and standing out in the rain and cold, if it comes down to that, so you don't have to. Think of us as your Platinum Pass to the Film Fest.

Can't decide which films to see? I now have a YouTube channel where you can watch preview trailers of films by Santa Barbara filmmakers that will be shown at the festival. And of course I'll have a Film Fest photo gallery that will be continually updated.


CHUCK CAGARA / www.MagicalLightPhotography.com


* * *

So with so many films to choose from over the next 10 days, how does one know which ones are the gems and which one's you shouldn't waste your time with? Well, the research department has been hard at work and here's my recommendations for today, Friday.

Learning from Light, about architect I.M. Pei and his final project. Festival programmer Candace Schermerhorn calls it, "Beautifully done." Shows at 12:30 pm at Victoria Hall.

Letters to Father Jaakob. In this Finnish film, a newly pardoned convict agrees to work as an assistant to a blind pastor. According to Roger Durling, a lot of people thought this film should have been among the nominees for this year's best foreign film. Screens at 2 pm at the Lobero.

If you're a Doors fan, you will want to see When You're Strange. 80 percent of the footage in this documetary has never been seen before. John Densmore, the former drummer of the group, is scheduled to be present at the 7 pm screening at the Lobero.

Woman Without a Piano, is a movie from Spain about a musician who travels a great distance to return an instrument to his elderly teacher. According to Roger Durling, the movie has "terrific acting by the lead actress." Shows at 7 pm at the Metro 4.

The Hungry Ghosts. This New York City set drama, is the feature film directing debut of Michael Imperioli, who you may know best from his acting in The Sopranos. A number of his fellow actors from The Sopranos are in the cast of this film. Screens at 7:45 pm at the Metro 4.

The Wild Hunt, about a medieval reenactment game, won the award as the audience favorite at the just concluded Slamdance Festival in Park City, Utah. Screens at 9:45 pm at the Metro 4.

Of course, the Sandra Bullock tribute is at 8 pm at the Arlington. Red carpet arrivals start around 7 pm.

The full Film Fest schedule is available at Edhat.

I'll meet you in the balcony.

© 2010 by Craig Smith and www.craigsmithsblog.com

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Thursday, February 04, 2010

Maybe We Should Call It, "The Dust-Up Over the Dirt?"


Waking up to voices saying, "Take This Dirt and Shove It!

Talk about your "Garden Wiseguy." By now you've probably heard about El Puente school putting out the word that they needed donations for the new vegetable garden they were installing. They got a response in the form of a free truckload of soil. Everything was cool until they discovered that the donor, James Lee, was the owner of a local medical marijuana dispensary.

School officials now want to wash their hands of the dirt. Maybe they should have been tipped off when Cheech and Chong stepped out of the truck to make the delivery.

What has the world come to when you can't take dirt from someone who's growing a little grass?

Perhaps the school officials should remember what they must have been taught in the first grade: Never look a gift horse in the mouth.

* * *

Speaking of dirt, in the race for Santa Barbara County District Attorney, campaign finance disclosure statements are out and Joyce Dudley has raised $29,000 more than her opponent Josh Lynn. It's the front page story in today's Daily Sound.

* * *

In a development that will surely affect more local Democrats than Republicans, safety officials are now considering whether to extend Toyota's recall of cars to the Prius model as well. Well, conservatives always say that liberals don't know how to put on the brakes.

* * *

The Santa Barbara Film Fest opens tonight with the film Flying Lessons, which was shot in the Santa Ynez Valley, being shown at 8pm at the Arlington. This may be your one and only chance to see the movie as it has yet to secure a distribution deal.

There's an awful lot of media interest in the Film Fest. I waited 30 minutes in line in the lobby of the Hotel Santa Barbara yesterday afternoon to pick up my press pass. Also in line, Scott Steepleton of the News-Press, Julie Ramos of KTYD, Joe Gehl of KEYT and former KEYT reporter Michelle Cole.

With rain being forecast for Friday and Saturday, it may be a good time to watch movies. Here is the Film Fest schedule from Edhat to help you plan your weekend.

Film fest coverage from The L.A. Times and Variety.

* * *

You may have noticed that as I return to a routine of blogging on a daily basis, I now post in the morning rather than overnight. That's bad news for the insomniacs and early risers who read me, but by getting up early and writing, rather than late at night, I can scan the stories that are in the day's headlines, and, I'm much fresher from a creative standpoint. So, although my post for that day won't appear in the Edhat daily e-mail so many of you receive, I should have a fresh column up by the time you take your first coffee break of the morning.

* * *

For the record, Randy Alcorn continues to write his column for the Daily Sound although it also appears on Noozhawk and in the Santa Maria Times.

Can't find a Daily Sound this morning? Here's what the front page looks like.

See you at the movies!
© 2010 by Craig Smith and www.craigsmithsblog.com

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