Wednesday, February 10, 2010

Every Picture Tells A Story, Don't It?


They say that every picture tells a story. This one certainly does, I just can't tell you what it is.


CHUCK CAGARA / www.MagicalLightPhotography.com


Snapped at Sunday evening's Santa Barbara Film Fest Virtuoso awards, from left to right you have veteran actor and Montecito resident Anthony Zerbe, Carey Mulligan (who was nominated for best actress in An Education) along with Emily Blunt and Saiorse Ronan.

If anyone wants to take a shot at writing a caption for this photo let me know.

This is one of many of the great photos being supplied to me during this year's Film Festival by Chuck Cagara. More of his work is at my Film Fest photo gallery.

* * *
If there ever was any doubt about the public's obsession with all things Michael Jackson, one need only think back to last summer and the non-stop coverage that broke out on the cable news outlets starting with the announcement of Jackson's death and extending well beyond his funerary.

Of course Santa Barbarans have always, if not downright disinterested in the Michael Jackson circus, at least pretended to be blasé about the gloved one. That is despite the fact that his infamous 2005 trial on allegations of child molestation took place in our backyard.

Considering that history, it should be interesting to see what the local reaction is to Michael Jackson: The Untold Story of Neverland, which premieres this evening at the Santa Barbara Film Fest.

The film was made by Carpinteria resident Larry Nimmer, who worked as a documentary producer for the Jackson defense team during the trial. According to Nimmer, the documentary looks behind the hype and innuendo of the case and tries to give the audience a glimpse into what Jackson's life at Neverland Ranch was like.

When it comes to Jackson, is it ever possible to get past the hype and innuendo? I guess we'll find out when the documentary is screened at 9:30 pm at Victoria Hall and repeats again Friday, 10:45 am at the Metro 4. And if you can't wait, you can get a brief glimpse of the documentary over on YouTube. The Daily Sound has a front-page article in today's edition of the paper about the film.

More coverage of the Film Fest from the Toronto Sun and the LA Times.

* * *

One question that seems to come up often is whether you can buy individual tickets for movies playing at the Film Fest and whether you can buy tickets at the door. The answer is, yes. However, single tickets are available on a "rush" basis and subject to a 15/15 rule: They're only available 15 minutes before the show and they're $15 bucks. "Four packs and "Ten Packs" are a much better value.

* * *

Sat next to sportswriter John Zant of the Independent yesterday for the screening of Charlie Haden: Rambling Boy, the documentary on the legendary jazz bassist. With the Winter Olympics a couple of days away John told me has attended seven summer games but never has been to a Winter Olympics. He's not going to this one. No local athletes in the games as far as anyone knows.

Speaking of Zant, he covered former Dodger manager Tommy Lasorda's appearance in town last Friday night to help raise money for Gaucho baseball. Hopefully nobody asked Lasorda what he thought of Dave Kingman's performance.

* * *

Film Fest suggestions and recommendations for Wednesday.

The Wind Journeys, a Columbian film about a musician who travels a great distance to return an instrument to a teacher. You can catch it at 10:15 am at the Metro 4.

Waiting for Forever, is a Hollywood-set romantic tale of a guy who is content to live his life without a job yet with the love of his life, a young actress. The movie was directed by James Keach, and stars Blythe Danner and Richard Jenkins, who was honored at the Film Fest last year. Screens at 10:30 am at the Metro 4.

Exam. The plot involves candidates who must decide how far they are willing to go to secure the ultimate job Roger Durling says this is, "One of the films I'm proudest of." It's been Nominated for a British Oscar. Screens at 1 pm at the Arlington.

The World is Big and Salvation Lurks Just Around The Corner, this is one of nine films that comprise the foreign film short list for the Oscars. It's out of Bulgaria. It shows at 4 pm at the Arlington.

Ten Stories Tall. I saw this movie on Monday and thought it was a thoroughly engaging and engrossing. This drama, set in New York City with an ensemble cast, examines how people deal with grief and the prospect of loss. Screens at 7 pm at the Museum of Art.

The Cove, is this year's recipient of the Festival's Attenborough award which is presented to a director who is committed to nature filmmaking. A documentary about how activists expose the unlawful slaughtering of dolphins in Japan. Screens at 8 pm at the Lobero. Q&A and award presentation follow the movie.

Breaking News, the drama about a TV anchor that features several KEYT personalities including Gerry Fall and John Palminteri gets an encore showing at 10 pm tonight at the Metro 4. It has some tough competition, When You're Strange, the documentary about the Doors shows at 10:15 pm at the Metro 4.

Full Film Fest Schedule is posted at Edhat.

* * *

Tuesday's print edition of the Daily Sound had a letter to the editor thanking the employees of the local post office. Seems the letter writer had mistakenly put an unaddressed envelope containing five $20 bills into the curbside mailbox on Anacapa Street. The letter writer had intended to personally drop the envelope with the $100 off at her doctor's office. The letter writer called the post office and postal officials were able to retrieve the envelope as it went through the Goleta processing facility and return it to the owner, with the cash intact.

I don't know what's more amazing, that the post office was able to retrieve and return an unaddressed envelope or that there's a doctor in town who only charges $100 bucks to perform a procedure.
© 2010 by Craig Smith and www.craigsmithsblog.com

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Tuesday, February 09, 2010

Three Big Ideas, One Unmentionable Name


I must admit, the News-Press has been devoting a lot of coverage to the Santa Barbara Film Fest this year. However there's at least one film being shown at the current festival that the News-Press surely won't be running an article or story about.

Three Big Ideas is a documentary film that reveals the principles featured in the three best-selling business books of the last 30 years.



The film explores why some companies thrive and others don't and brings to life how the concepts from the books, In Search of Excellence, The 7 Habits of Highly Effective People, and Good to Great, can help organizations manage their way through and beyond the recession.

Why some companies thrive and some do not? Greatness? Excellence? Sounds like that's something that News-Press owner Wendy McCaw would be interested in learning more about. After all, ever since that fateful day in July of 2006 when editor Jerry Roberts and his top deputies walked out of the newsroom, "cease" and "desist" have replaced "journalism" and "excellence" as the two words most likely to be used in conjunction with one another when describing what comes out of the south end of De la Guerra Plaza.

Although McCaw could learn a lot from this documentary, I assure you that she won't be allowing her writers to mention it. You see, the producer/director of Three Big Ideas, Sam Tyler, is also the producer/director of another film you might have heard of. It was called, Citizen McCaw.

But long before the News-Press mess and the movie that chronicled it, the Montecito resident had established his credentials as a filmmaker with his PBS documentaries, In Search of Excellence and Good to Great.

Three Big Ideas was a nine-month project that Tyler paid for himself. Assisting Tyler in the project were locals Brent Sumner, who served as cinematographer and editor (as he did for Citizen McCaw) and narrators John Nathan and Madalena Fossatti.

One of the organizations featured in the film is the Santa Barbara Zoo. And the film includes archive footage of a young Steve Jobs exhorting employees of Apple Computer about what their mission should be.

I met with Tyler over coffee last week to talk about Three Big Ideas and the conversation eventually turned to Citizen McCaw. I asked him why Citizen McCaw was never shown at the Santa Barbara Film Festival. He told me that although the organizers of the festival were willing to include Citizen McCaw, the truth of the matter was that the film needed further work and wasn't ready to be shown in time for the 2008 Festival.

Tyler did say that Citizen McCaw is an ongoing project and we haven't heard the last of it.

As for Three Big Ideas, it will be going straight to PBS after its showing at the Film Fest.

Three Big Ideas will be shown at 7 pm tonight (Tuesday) at the Museum of Art and again on Thursday at 12:30 pm at Victoria Hall.

* * *

Sam Tyler isn't the only Citizen McCaw producer who has a new film premiering this week. Chuck Minsky, is the director of photography on the movie Valentines Day, which opens in theaters (no, its not entered in the Festival) on Friday.

* * *

Film Fest recommendations for Tuesday.

Last Train Home. This film was shown at the recently concluded Sundance festival and was described by the NY Times as, "a beautifully shot, haunting and haunted large-scale portrait by Lixin Fan about an astonishing migration involving 130 million Chinese workers who each year travel by train, boat and foot to return home for New Year’s." Screens at 10 am at the Metro 4.

The Dead Will Guide Us. In the late 1980's Liberia imploded into a 16 year civil war. With this as the backdrop, the film focuses on reconciliation and healing. Will be shown at 10:45 am at the Metro 4.

Charlie Haden: Rambling Boy, is a warts and all look at the life of the great jazz bassist. Haden will perform a small set at the Q&A. Plays at 12:30 pm at Victoria Hall.

A few days ago, I had the chance to sit down and talk with New Zealander Clive Neesom, director of Last Paradise. Within the first minute of our conversation he made it a point to say that this is not a "surf" film. Rather he described it as a "real life satire" using the evolution of extreme sports as a backdrop for focusing on the issues of today. Sounds ambitious. Screens at 3:30 pm at Victoria Hall.

City of Shadows, is a big epic from Canada, about doctors fighting a plague in a small town. Shows at 9:30 pm at the Metro 4.

The full Film Festival schedule is posted at Edhat.

Latest photos at my Film Fest photo gallery.
© 2010 by Craig Smith and www.craigsmithsblog.com

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Monday, February 08, 2010

It Was A Super Sunday At The Film Fest


The first Sunday of the Film Festival was an extraordinary day, after all the New Orleans Saints won the Super Bowl in their first ever appearance there.

While New Orleans was celebrating its victory (and suddenly it seemed like it was hard to meet anyone who wasn't from New Orleans) Emily Blunt (The Young Victoria), Carey Mulligan (An Education), Saiorse Ronan (The Lovely Bones) and Michael Stuhlbarg, (A Serious Man), were on the red carpet and then on the stage at the Lobero for the Film Fest's Virtuoso Awards.


Saiorse Ronan, star of The Lovely Bones, as she appeared on the red carpet at the Virtuoso Awards.

Photo by CHUCK CAGARA / www.MagicalLightPhotography.com


Earlier in the day at the Lobero, Quentin Tarantino's conversation with Kirk Douglas following a special showing of Posse, was, according to Roger Durling one of the all-time highlights of his seven years as executive director of the Film Festival.

More coverage of the Film Festival at City 2.0.

My own Film Fest photo gallery, featuring the fine work of local photog Chuck Cagara of www.MagicalLightPhotography.com, is updated throughout the day.

* * *

In other news, Frank Magid, the TV news "consultant" and Santa Barbara resident, who is credited with having created the "happy-talk" format for local news, died Friday at Cottage Hospital.

If you haven't already seen it, I have the full story on Jerry Roberts victory over Wendy McCaw.

Among the many outlets reporting on Jerry's victory is the entertainment news website, The Wrap.

* * *

If you're playing hooky from work, here are some movies you might want to catch today.

Near Dark, this 1987 movie is part of the Kathryn Bigelow retrospective, (she's being honored at 8 pm at the Lobero tonight.) Roger Durling says "Near Dark," "makes Twilight look like Sesame Street." Shows at 11:00 am at the Lobero.

There is probably no reason to see Breaking News other than the fact that it has a number of well-known personalities from KEYT in it, although I am told by one person who has seen the film, that Gerry Fall, the former KEYT sportscaster, turns in a credible performance as "Jerry Blackwell," the TV news reporter who's life is falling apart. Screens at 12:30 pm at Victoria Hall.

Two Spirits. I had the pleasure of talking to Lydia Nibley, the director of this documentary, which was five years in the making, about a Navajo boy who was the victim of a hate crime. The film uses the story and aftermath of the boy's murder to examine native American beliefs about masculinity, femininity and sexuality. Patty Smith did the music for this film. It premiered in November at the Denver Film Festival. Screens at 3:30 pm at Victoria Hall.

God Went Surfing With the Devil, is a look at Israeli/Palestinian relations through the eyes of surfers. It is being shown at 4pm at the Museum of Art.

Behind the Lines, which screens at 9:30 pm at Victoria Hall is a locally produced documentary which offers a behind the scenes look at fighting a major wildfire.

Point Break, another film by Bigelow about bank robbers who are also surfers. "If you haven't seen it, it's a classic," according to Durling. Screens at 10 pm at the Lobero following the tribute to Bigelow as "Outstanding Director of the Year."

I love the smell of popcorn in the morning.
© 2010 by Craig Smith and www.craigsmithsblog.com

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Sunday, February 07, 2010

The Full Story on Jerry Roberts Victory Over Wendy McCaw


So how was it that former Santa Barbara News-Press editor Jerry Roberts was able to get an arbitrator to award him over $900,000 in attorney fees and costs from Wendy McCaw's Ampersand Publications?

The foundation for the award was laid back in December of 2008 when it was revealed that the arbitrator found that Ampersand and McCaw failed to establish any of their breach of contract or other claims against Roberts and that McCaw and Ampersand were entitled to none of the $25 million in damages that they had sued him for. Therefore, Roberts was determined to be the "prevailing party" in the arbitration. The arbitrator ruled that Ampersand would have to pay Robert's attorney's fees in an amount to be determined. That was over a year ago. Arbitrator Deborah Rothman finally ruled on the attorneys fee and costs issue on October 27, 2009, but the nature of arbitration, which is what the parties agreed to in order to resolve their dispute, is that the findings and rulings of the arbitrator remain confidential until someone goes to court to either confirm or vacate the arbitrator's award. That happened last Friday, when Ampersand filed it's paperwork in Superior Court to have the arbitrator's award set aside.

The arbitration process in the matter of Ampersand vs. Roberts has been a long waiting game. And if your recollection of the tortious history of this dispute needs refreshing, I refer you to my previous account of it.

In the meantime, here's the short version: Shortly after Roberts resigned his position with the paper in July of 2006 in a dispute over journalistic ethics, Ampersand sued him. According to the arbitrator's capsulation of the allegations:
If compelled to determine who launched the first missile that signaled the start of the News-Press/McCaw/Roberts war, I would have to conclude that it was Ampersand, which thereafter published an article charging Roberts with orchestrating media coverage favorable to his 'position.' . . . Mrs. McCaw believed Roberts had been the source of the detailed information concerning the inner workings of the paper, including the editor's complaints that culminated in their resignations. Mrs. McCaw felt strongly that information of this nature should not be aired, and that by airing it, Roberts had breached his contractual confidentiality obligations as well as his duty of loyalty.

There were other allegations as well, but the issues of breach of confidentiality and the alleged abrogation of Robert's duty of loyalty to his employer formed the crux of the suit.

Roberts answered the complaint and denied the allegations. He also counter-sued Ampersand with a few claims of his own, most notably that he had been defamed by a blog post that appeared on the "Nippers" website site run by McCaw's boyfriend and News-Press co-publisher, Arthur von Wiesenberger.

Arbitrator Deborah Rothman, who heard the case, ultimately ruled that Ampersand failed to establish any of the 15 allegations that it had made against Roberts and that Ampersand would take nothing on its claim of $25 million in damages. More particularly the arbitrator found that Roberts did not breach his obligations under the confidentiality provisions of the employment agreement, did not defame Ampersand and did not breach his fiduciary duty of loyalty to Ampersand.

Rothman in her written 67 page ruling concluded that Ampersand "fought each and every issue with equal ferocity, frequently proceeding in a scorched-earth, take-no-prisoners, go-for-broke, leave-no-stone unturned campaign to punish Roberts."
I infer from the evidence before me that Mrs. McCaw is capable of great vindictiveness and appears to relish the opportunity to wield her considerable wealth and power in furtherance of what she believes to be righteous causes.

The observation that McCaw, "wasn't shy about wielding her considerable wealth" was bolstered by the fact that McCaw expended approximately $2.4 million in attorney's fees in her suit against Roberts. Her side had as many as eight individual lawyers on its team, which was led by Barry Cappello, while Roberts never had more than three on his legal team which was headed by Andrine Smith of San Francisco. Of course with Ampersand suing Roberts for $25 million he was forced to expend over $629,000 in attorney's fees to defend himself and to assert several counterclaims against Ampersand. When you combine that $2.4 million with the nearly million in attorney's fees and costs that Roberts incurred you can say that the case of Ampersand vs. Roberts is a $3.5 million industry, for the attorneys that is.

One of the reasons that Ampersand was not able to succeed in making a case against Roberts for defamation was the fact that his comments about the circumstances surrounding his departure had become a matter of "public interest." The arbitrator noted that Ampersand had made the direction of the paper a matter of public interest when Mrs. McCaw published an open letter in the News-Press in 2000, shortly after purchasing the paper, in which she stated her intention to leave news functions "to the professionals." The arbitrator would write, "Having thrown down the gauntlet, i.e., voluntarily used the offices of the News-Press to commit to letting professional journalists manage and direct the paper in an independent matter consistent with journalistic integrity, Ampersand opened the door for Roberts to comment on her fulfillment of that public commitment."

As for the substance of what Roberts had said to the media about McCaw, the arbitrator found each and every one of the statements that were alleged to be defamatory to either be true, which is an absolute defense to a charge of libel, or that they were purely statements of opinion, and therefore not libelous.

Both McCaw and Roberts testified at the arbitration hearing. Evidently, McCaw failed to make a good impression with the arbitrator. "Mrs. McCaw," she wrote, "was a flawed witness."
Although she is a complex woman, which makes her credibility determinations more difficult, certain of her statements clearly defy credulity. Notwithstanding the publication in the News-Press of an article about the pornographic images of children purportedly found on the Ampersand laptop Roberts had used, Mrs. McCaw subsequently answered "Never" to her attorney's question, "Have you ever used your paper to punish your personal or political enemies?

The arbitrator went on to observe that, "She adamantly refused to draw conclusions too obvious to deny." The arbitrator went on to say that, "Her responses could be evidence of a profound lack of self-awareness, or a propensity to shade the truth for the purpose of garnering a large arbitration award. Either way, they do not make Mrs. McCaw a first-rate witness."

Most telling is this observation by the arbitrator.
(McCaw) testified about the difficulty she has had in hiring a new publisher for the paper: "My personal opinion is that they look at me as the problem," negating with her tone of voice the real possibility that such a perception could be true.

While McCaw did not fare well in the credibility department with the arbitrator, Roberts did. She wrote, "A conscientious and honorable journalist, Roberts had the support and admiration of both his newsroom and the Santa Barbara community."

As for Ampersand's allegations of disloyalty on the part of Roberts, the arbitrator concluded,
Roberts did not act out of venality - he had nothing to gain financially by speaking out against Ampersand - but out of deeply-held principles, beliefs and values on the respective roles of editors, publishers, advertisers and celebrities in journalistic excellence.

The arbitrator's written decision provides insight into what were and are the real priorities of the News-Press under McCaw's ownership. For example, in a May, 2006 e-mail, von Wiesenberger criticized Roberts for a News-Press article about the bad housing market that
. . . still has realtors from Carpinteria to the Santa Ynez Valley angry at the News-Press and already taking action by staging an advertising brown-out. I spoke with a Sotheby's agent two days ago and she informed me that they are still extremely unhappy and are planning yet another brown out. . . While I expect you will characterize this criticism as us cowering to commercial interests and bring out your book of Journalistic ethics, it has nothing to do with ethics.

Although Roberts clearly had the better part of the ethics argument, it ultimately was of no help to him in pressing his counter claims against Ampersand. The arbitrator concluded that notwithstanding ethics, the publisher of a relatively small-town newspaper, like the News-Press, "has the right to control the look, feel and yes, slant of the paper." That meant that, "Roberts refusal to give his unqualified support to Mrs. McCaw's management decisions could legitimately have led to his termination for cause, and thus without severance pay. Because Roberts was constructively discharged under circumstances in which Ampersand could have terminated his employment for cause, he is not entitled to recover severance benefits under the terms of the parties' agreement."

As for the infamous "hamburger stand" allegory, that appeared on von Wiesenberger's blog, which Roberts claimed was defamatory, the arbitrator determined that Roberts failed to prove that the post was authorized or ratified by Ampersand, after all, it was "Nipper's" blog, not one run by the News-Press.

So although Ampersand failed win on any of the claims it brought against Roberts, Roberts failed to succeed on any of the claims he in turn had brought against Ampersand. Nevertheless, the arbitrator determined that as between Roberts and Ampersand, Roberts was the party who had achieved his basic litigation goal, which was to successfully defend himself against Ampersand's claims, while Ampersand had failed to achieve its goal, which was to pin the blame on Robert's statements to the media for its lost prestige and credibility in the Santa Barbara community.

Since Roberts was the party who "prevailed," he was entitled to recover, pursuant to his contract of employment with Ampersand, his attorney's fees and costs. In particular, $748,022 in attorney's fees and $167,516 in costs.

So while Roberts has won a significant victory against McCaw's Ampersand, it still figures to be awhile before he sees any money as a result of the ruling. Both sides go to court at the end of this month. Ampersand will seek to vacate the arbitrator's award while Roberts will seek to confirm it.

Assuming Ampersand loses its motion to set the award aside, they will undoubtedly appeal. Given that arbitrator's awards cannot be set aside for mere mistakes in applying the facts to the law, but rather can only be set aside if an arbitrator has committed gross misconduct or has acted in excess of their authority, reversing the award is a low percentage proposition.

But McCaw has been down this road before when she was able to set aside an arbitration award that had gone in favor of her former lover and legal counsel, Greg Parker. So having hit the jackpot once, there's no reason to think that she won't buy another lottery ticket and take her case to the California Court of Appeal.

One avenue that wont' be open to McCaw is to take this case to the Federal Courts that have proved to be hospitable to her. In spite of the fact that $3.5 million have been expended in attorney's fees, it's simply not a federal case.
© 2010 by Craig Smith and www.craigsmithsblog.com

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Only One of These Guys is a "Master"


Sometimes you just have to let the pictures do the talking. Like when you have the director of the world's number one film and the Governor of California together on the same stage, which was what happened on Saturday night at the Arlington Theater.



James Cameron receiving the Lucky Brand Modern Master Award from "The Governator."

PHOTO CREDIT: CHUCK CAGARA / www.MagicalLightPhotography.com


Count me among those who will be happy when Schwarzennegger leaves office and goes back to making movies.


James Cameron being interviewed by film critic Leonard Maltin

PHOTO CREDIT: CHUCK CAGARA / www.MagicalLightPhotography.com


More photos from last night at Edhat and at my own Film Fest Photo Gallery. And Noozhawk, now has a Film Fest Photo gallery!

And Cameron wasn't the only person with his name in lights on a State Street marquee on Saturday night.



While Cameron was being honored at the Arlington, just a block down the street at the Granada Theater a large number of people, myself included, gathered to honor one of my oldest and best friends, former Assistant District Attorney Eric Hanson, who last month retired after 33 years in the Santa Barbara DA's office.

* * *

If you're heading out to see some movies at the Film Fest, here are some suggestions as to what to see.

Ten Stories Tall, is an ensemble drama about the loss of a family matriarch who was involved in a lesbian relationship. I had a chance to meet David Garrett, the writer and director of this film, at the Filmmaker's Breakfast Saturday morning. He told me that during a two-year period he lost a significant number of friends and family and the observation of other people dealing with grief and loss inspired him to do the story. The cast includes some well-known actors, Tovah Feldshuh and Ally Sheedy. The movie screens at 10:30 Sunday morning at the Metro 4 and again Monday at 2 pm at the Lobero. Feldshuh will be here for the Q&A's which follow the screenings.

There's an especially strong Director's Panel at 11 am at the Lobero. Scheduled to be here are Oscar nominees Katherine Bigelow and James Cameron who will be joined by Jason Reitman, Peter Doctor and Quentin Tarantino.

How To Live Forever, a documentary about how to live longer that Roger Durling calls, "quite delightful." It screens at 4:30 pm at the Metro 4.

The Legend of Stewart Mossman, which screens at 4:45 at the Metro 4, is about the famed guitar maker.

Actors Emily Blumt, Carey Mulligan, Saoirse Ronan, Gabourey Sidibe and Michael Stuhlbarg are appearing at the Lobero at 8 pm where they are being honored with The Chopin Virtuosos Award.

There you have it.

By the way, is there a football game on today?
© 2010 by Craig Smith and www.craigsmithsblog.com

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Saturday, February 06, 2010

One Bullock I'm Glad They Didn't Keep Out of Santa Barbara


This is my fourth year of covering the red carpet arrivals at the Santa Barbara Film Fest. As I was getting ready for Saturday evening's tribute to Sandra Bullock at the Arlington Theater, my daughter, who is assisting me in covering this year's festival, asked if I was going to wear my bow tie. "No, the tie is getting retired," I told her.

"Are you going to wear that beret on your head?," she asked. (The look on her face told me that she didn't want me to wear it.) "The beret stays," I replied.


Sandra Bullock on the red carpet last night

CHUCK CAGARA / www.MagicalLightPhotography.com


I got some good mileage out of the bow tie trick at past Film Fests, most notably getting Jennifer Hudson and Olivia Wilde to straighten it for me. And that was before Wilde hit it big on House. But the tie has done its time. And besides, it was always a big hassle to tie it. So this year, I lined up on the red carpet, sans tie.

The lack of a tie didn't spoil my luck in getting to ask a question of Bullock as she made her way down the red carpet. I was curious to know if there was a particular moment when she knew when her role in the Blindside was an Oscar worthy role? "Never, never had that. Have you seen my projects?" She went on to say that no one wanted to make The Blindside and she turned it down for over half a year. I also asked her if there was any news about her missing dog. Sadly, the dog is still missing. You can view her full answer in the YouTube video below. (Thanks to my daughter Taryn for shooting the video.)



Standing on the carpet wearing a body hugging black dress, Bullock had a very Jessica Rabbit like quality to her. She was the perfect red carpet honoree. She arrived early, stayed late, signed lots of autographs and gave many interviews in between.

Photos of Friday night's red carpet arrivals, taken by Dan Seibert, are posted at Edhat.

* * *

It's another full day at the Film Fest on Saturday, culminating with Avatar director James Cameron receiving the Lucky Modern Master Award at 8 pm at the Arlington. Presenting the award to Cameron will be none other than the Governator himself, Arnold Schwarznegger.

As for films tomorrow, here's what I recommend.

Ashkan, The Charmed Ring and Other Stories, this film is from Iran and is in black and white. According to Film Fest Director Roger Durling, it's a film that you have to stick with. You may be baffled at the beginning, however, the storytelling will prove to be wonderful. Screens at 8:15 am at the Metro 4.

Father and Guns, billed as a "classic comedy cop thriller, was recommended to me by Alex Hentloff, who writes for CASA magazine. (BTW, CASA has very good coverage of the Film Fest so be sure to pick one up. They're free and come in handy for attendees of the Fest.)

The Secret Of Kells. This animated film from Ireland is reputed to be stunning. Screens at 10:15 am at the Metro 4.

The Lovely Bones. This is a feature you will easily be able to catch once the Film Fest is over, but it does play today at 1:30 pm at the Metro 4. One of the stars is Stanley Tucci who, if I remember correctly, is scheduled to appear following the screening of the film.

University of Nuclear Bombs is a documentary by local filmmaker Joshua King. It explores the connection of the University of California to the development of the weapons of mass destruction. Screens at 4:45 pm at the Metro 4.

In addition to films, the always popular screenwriters panel will take place at 11 am at the Lobero. This year's panel includes, Mark Wahl (Hurtlocker) Nancy Meyers, (It's Complicated) Jason Reitman, (Up In The Air), Geoffrey Fletcher, (Precious) and Peter Doctor (Up).

The full Film Festival schedule is posted at Edhat.

Remember, if you want to stay dry, stay inside the theaters.
© 2010 by Craig Smith and www.craigsmithsblog.com

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